Who is Leonardo da Vinci , he is the master painter behind Mona Lisa And The Last Supper. Michael Gelb’s How to Think Like Leonardo Da Vinci is an inspiring and inventive guide that teaches readers how to develop their full potential, using the principles of Da Vancian thought identified by the author.
How To Think Like Leonardo Da Vinci Summary By Michael Gelb
Brief Summary How To Think Like Leonardo Da Vinci
Beginning with a brief historical biography of Da Vinci and an overview of the astounding advances made in the arts and sciences during the Renaissance, Gelb illustrates the seven fundamental elements of Da Vinci’s thought process.
THE SEVEN DA VINCIAN PRINCIPAL
Questionnaire
A questing, insatiably curious approach to life, all of us come into the world curious. Curiosity builds upon that natural impulse, the same impulse that led you to turn the last page—the desire to learn more. We’ve all got it; the challenge is using and developing it for our own benefit. In the first years of life our minds are engaged in an unquenchable thirst for knowledge.
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From birth—and some would argue, even before—the baby’s every sense is attuned to exploring and learning. Like little scientists, babies experiment with everything in their environment. As soon as they can speak, children start articulating question after question: “Mommy, how does this work?” “Why was I born? ”Daddy, where do babies come from?”
Dimostrazione
A commitment to test knowledge through experience, Think of the best teachers you have ever had. What makes a teacher great? More than anything else, it is the ability to help the student learn for himself. The finest teachers know that experience is the source of wisdom. And the principle of Dimostrazione is the key to making the most of your experience. Leonardo made the most of his experiences in the studio of the master painter and sculptor Andrea del Verrocchio, whom Da Vinci biographer Serge Bramly refers to as “a one-man university of the arts.
” The training the young Leonardo received as an apprentice in Verrocchio’s studio emphasized experience more than theory. He learned to prepare canvases and paints and was introduced to the optics of perspective. The technical secrets of sculpture, bronze casting, and goldsmithing were part of the curriculum, and he was encouraged to study, through direct observation, the structure of plants and the anatomy of animals and humans. Thus he grew up with a profoundly practical orientation.
Sensazione
The continual refinement of the senses, especially sight, as the means to clarify experience,
Sight, sound, touch, taste, and smell. If you think like Leonardo, you recognize these as the keys to opening the doors of experience. Da Vinci believed that the secrets of Dimostrazione are revealed through the senses, especially sight. Saper vedere (knowing how to see) was one of Leonardo’s mottoes, and the cornerstone of his artistic and scientific work.
In The Creators: A History of Heroes of the Imagination,Daniel Boorstin begins his chapter on Da Vinci “Sovereign of the VisibleWorld.” Da Vinci’s sovereignty stemmed from the combination of his open, questioning mind, his reliance on actual experience, and his uncanny visual acuity. Nurtured by a boyhood spent observing and enjoying the natural beauty of the Tuscan countryside and further cultivated by his teacherVerrocchio, “the true eye,” Leonardo developed astonishing powers of sight bordering on those of a cartoon superhero.
In his “Codex on the Flight Of Birds,” for example, he recorded minutiae about the movements of feathers and wings in flight that remained unconfirmed and not fully appreciated until the development of slow-motion moving pictures.
Sfumato
A willingness to embrace ambiguity, paradox and uncertainty, As you awaken your powers of Curiosità, probe the depths of experience, and sharpen your senses, you come face to face with the unknown. Keeping your mind open in the face of uncertainty is the single most powerful secret of unleashing your creative potential. And The principle of Sfumato is the key to that openness.
The word sfumato translates as “turned to mist” or “going up in smoke”or simply “smoked.” Art critics use this term to describe the hazy, mysterious quality that was one of the most distinctive characteristics ofLeonardo’s paintings. This effect, obtained through the painstaking application of many gossamer-thin layers of paint, is a marvelous metaphor for the man.
Leonardo’s ceaseless questioning and insistence on using his senses to explore experience led him to many great insights and discoveries, but they also led him to confront the vastness of the unknown and ultimately the unknowable. Yet his phenomenal ability to hold the tension of opposites, to embrace uncertainty, ambiguity, and paradox, was a critical characteristic of his genius.
Arte/Scienza
The development of the balance between science and art, logic and imagination. “Whole-brain” thinking, Are you familiar with the research into the left and right hemispheres of the cerebral cortex? If so, do you know your “brain-dominance profile”? In other words, are you a more artistic, intuitive, right-hemisphere thinker? Or do you feel more comfortable with the step-by-step logic of the left? The terms left-brained and right-brained came into popular parlance through the Nobel prize—winning research of Professor Roger Sperry. Sperry discovered that in most cases, the left hemisphere of the cerebral cortex processes logical, analytical thinking while the right hemisphere processes imaginative, big-picture thinking.
Corporalita
The cultivation of ambidexterity, fitness and poise ,What is your image of the body type of a genius? Did you grow up, as I did, with the stereotype of the skinny, “four-eyed,” brainiac nerd? It’s Amazing how many people associate high intelligence with physical ineptitude. With a few exceptions, the great geniuses of history were gifted with remarkable physical energy and aptitude, none more so than Da Vinci.
Connessione
A recognition and appreciation for the interconnectedness of all things and phenomena. “Systems” thinking. When you toss a stone into a still pond, the water ripples out in a series of widening circles. Conjure up that image in your mind’s eye; ask yourself how one ripple affects another, and where the energy of the ripples goes, and you will be thinking like the maestro. The ever expanding circle is a lovely metaphor for the principle of Connessione, which is evident in Leonardo’s frequent observations of patterns and connections in the world around him.
